| Fall 2026 classes offered in Art as of Tuesday, 05/05/2026 at 07:45 AM
schedFallART report generated: 05-MAY-26 | |||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Class | Sect | CN# | Units | Notes* | Fee | Dates | Days | Time | Room | Instructor | Cap | Enr | Rsrvd* | Avail* | Wait Cap* | Wait Tot* | Sust* | Perm Text Status | Bookstore Text Info |
| ART 103A Prehistoric to Medieval | 1 | 41185 | 3 | MW | 14:00-15:20 | ARTB_102 | Sheldon,B | 45 | 16 | 16 | 13 | 99 | 0 | Texts | |||||
| ART 103B Renaissance to Contemporary | 1 | 41186 | 3 | W | 17:00-18:20 | ONL | Conley,N | 45 | 10 | 35 | 99 | 0 | Texts | ||||||
| - | ONL | Conley,N | 99 | 0 | Texts | ||||||||||||||
| ART 104J American Art | 1 | 41310 | 3 | MW | 09:00-10:20 | ARTB_102 | Sheldon,B | 45 | 18 | 27 | 99 | 0 | Texts | ||||||
| ART 105B Drawing Foundations | 1 | 41187 | 3 | - | ONL | Atherton,MS | 24 | 21 | 3 | 99 | 0 | Texts | |||||||
| ART 105B Drawing Foundations | 2 | 41188 | 3 | TR | 11:00-13:50 | ARTA_123 | Atherton,MS | 24 | 7 | 16 | 1 | 99 | 0 | Texts | |||||
| ART 105B Drawing Foundations | 3 | 41409 | 3 | TR | 14:00-16:50 | ARTA_123 | Atherton,MS | 24 | 6 | 18 | 99 | 0 | Texts | ||||||
| ART 105C 2D Foundations | 1 | 41189 | 3 | TR | 08:00-10:50 | JH_215 | Smithson,AL | 24 | 6 | 18 | 99 | 0 | Texts | ||||||
| ART 105C 2D Foundations | 2 | 41345 | 3 | TR | 17:00-19:50 | JH_215 | 24 | 15 | 9 | 99 | 0 | Texts | |||||||
| ART 105D 3D Foundations | 1 | 41190 | 3 | MW | 11:00-13:50 | JH_101 | Schwetman,SP | 24 | 5 | 19 | 99 | 0 | Texts | ||||||
| ART 105D 3D Foundations | 2 | 41410 | 3 | TR | 08:00-10:50 | JH_101 | 24 | 3 | 16 | 5 | 99 | 0 | Texts | ||||||
| ART 105E Digital Media Foundations | 1 | 41455 | 3 | TR | 08:00-10:50 | ARTA_125 | Nachtigall,S | 24 | 7 | 17 | 99 | 0 | Texts | ||||||
| ART 105E Digital Media Foundations | 2 | 41456 | 3 | - | ONL | Whiteley,M | 24 | 23 | 1 | 99 | 5 | Texts | |||||||
| ART 106 Painting I | 1 | 41191 | 3 | MW | 17:00-19:50 | ARTB_205 | Tuzzi,GR | 24 | 24 | 0 | 99 | 3 | Texts | ||||||
| ART 106 Painting I | 2 | 41192 | 3 | TR | 08:00-10:50 | ARTB_205 | Casiano,EA | 24 | 15 | 9 | 99 | 0 | Texts | ||||||
| ART 107 Printmaking I | 1 | 41193 | 3 | MW | 08:00-10:50 | ARTB_100 | Kita,N | 24 | 12 | 12 | 99 | 0 | Texts | ||||||
| ART 107 Printmaking I | 2 | 41194 | 3 | MW | 14:00-16:50 | ARTB_100 | Kita,N | 24 | 16 | 8 | 99 | 0 | Texts | ||||||
| ART 109 Sculpture I | 1 | 41195 | 3 | MW | 08:00-10:50 | JH_101 | 24 | 7 | 17 | 99 | 0 | Texts | |||||||
| ART 109 Sculpture I | 2 | 41196 | 3 | TR | 14:00-16:50 | JH_101 | Schwetman,SP | 24 | 22 | 2 | 99 | 0 | Texts | ||||||
| ART 250 Photography I: Darkroom | 1 | 41197 | 3 | MW | 14:00-16:50 | ARTA_119 | Woody,D | 24 | 17 | 6 | 1 | 99 | 0 | Texts | |||||
| ART 250 Photography I: Darkroom | 2 | 41411 | 3 | TR | 17:00-19:50 | ARTA_119 | Maxon,JM | 24 | 10 | 14 | 99 | 0 | Texts | ||||||
| ART 251 Photography I: Digital | 1 | 41198 | 3 | MW | 14:00-16:50 | ARTA_125 | Hootnick,AK | 24 | 8 | 6 | 10 | 99 | 0 | Texts | |||||
| ART 251 Photography I: Digital | 2 | 41199 | 3 | F | 11:00-13:50 | ARTA_125 | Woody,D | 24 | 17 | 7 | 99 | 0 | Texts | ||||||
| - | ONL | Woody,D | 99 | 0 | Texts | ||||||||||||||
| ART 273 Drawing I: Illustration | 1 | 41200 | 3 | MW | 08:00-10:50 | ARTA_123 | Gonzalez-Guerra,BE | 24 | 14 | 10 | 99 | 0 | Texts | ||||||
| ART 279 Digital Media I: Animation | 1 | 41547 | 3 | MW | 08:00-10:50 | ARTA_125 | 24 | 12 | 12 | 99 | 0 | Texts | |||||||
| ART 282 Jewelry/Small Metals I | 1 | 41201 | 3 | MW | 11:00-13:50 | ARTB_107 | Koch,MY | 18 | 12 | 0 | 6 | 99 | 1 | Texts | |||||
| ART 282 Jewelry/Small Metals I | 2 | 41202 | 3 | TR | 17:00-19:50 | ARTB_107 | Koch,MY | 18 | 18 | 0 | 0 | 99 | 5 | Texts | |||||
| ART 290 Ceramics I | 1 | 41203 | 3 | MW | 08:00-10:50 | JH_201 | Zdrazil,DJ | 24 | 16 | 8 | 99 | 0 | Texts | ||||||
| ART 290 Ceramics I | 2 | 41204 | 3 | MW | 14:00-16:50 | JH_201 | Zdrazil,DJ | 24 | 24 | 0 | 99 | 0 | Texts | ||||||
| ART 290 Ceramics I | 3 | 41349 | 3 | TR | 08:00-10:50 | JH_201 | Burnham,AL | 24 | 22 | 2 | 99 | 0 | Texts | ||||||
| ART 301 Macabre Modernism | 1 | 41620 | 3 | F | 09:00-10:20 | ONL | Conley,N | 45 | 41 | 3 | 1 | 99 | 0 | Texts | |||||
| - | ONL | Conley,N | 99 | 0 | Texts | ||||||||||||||
| ART 302 Global Africa | 1 | 43836 | 3 | below | TR | 14:00-15:20 | ARTB_102 | Sheldon,B | 45 | 7 | 5 | 33 | 99 | 0 | Texts | ||||
| ART 302 Surrealism in the Americas | 2 | 43837 | 3 | - | ONL | Potter,BN | 45 | 39 | 3 | 3 | 99 | 0 | Texts | ||||||
| ART 303 Global Contemporary Art | 1 | 41311 | 3 | TR | 17:00-18:20 | ARTB_102 | Alderson,JL | 45 | 17 | 9 | 19 | 99 | 0 | Texts | |||||
| ART 303M Global Contempo. Art Depth Exp | 1 | 41312 | 1 | T | 18:30-19:20 | ARTA_025 | Alderson,JL | 15 | 14 | 1 | 99 | 0 | Texts | ||||||
| ART 305 Museums/Politics of Display | 1 | 41347 | 3 | W | 11:00-12:20 | ONL | Potter,BN | 45 | 37 | 7 | 1 | 99 | 0 | Texts | |||||
| - | ONL | Potter,BN | 99 | 0 | Texts | ||||||||||||||
| ART 307 Arts Integration K-5 Classroom | 1 | 41445 | 3 | TR | 17:00-19:50 | ARTA_024 | Woglom,JF | 24 | 22 | 2 | 0 | 99 | 0 | Texts | |||||
| ART 308 Representation in Film Matters | 1 | 41467 | 3 | below | TR | 09:00-10:20 | ONL | Cartier,ML | 20 | 15 | 5 | 0 | 99 | 1 | Texts | ||||
| ART 319 Digital Media II: Animation | 1 | 43530 | 3 | MW | 08:00-10:50 | TA_012 | Whiteley,M | 24 | 3 | 21 | 99 | 0 | Texts | ||||||
| ART 321 The Watercolor Sketchbook | 1 | 41205 | 3 | below | T | 08:00-10:50 | ARTA_123 | Gonzalez-Guerra,BE | 23 | 15 | 8 | 99 | 0 | Texts | |||||
| - | ONL | Gonzalez-Guerra,BE | 99 | 0 | Texts | ||||||||||||||
| ART 324 Drawing III | 1 | 41350 | 3 | below | M | 11:00-13:50 | ARTA_123 | Gonzalez-Guerra,BE | 24 | 13 | 11 | 99 | 0 | Texts | |||||
| - | ONL | Gonzalez-Guerra,BE | 99 | 0 | Texts | ||||||||||||||
| ART 326 Flora/Fauna | 1 | 41206 | 3 | below | MW | 14:00-16:50 | ARTB_205 | Tuzzi,GR | 24 | 24 | 0 | 99 | 0 | Texts | |||||
| ART 326 Portraiture/Figuration | 2 | 41207 | 3 | below | TR | 11:00-13:50 | ARTB_205 | Casiano,EA | 24 | 20 | 4 | 99 | 0 | Texts | |||||
| ART 329 Painting III | 1 | 41208 | 3 | TR | 14:00-16:50 | ARTB_205 | Tuzzi,GR | 18 | 18 | 0 | 99 | 5 | Texts | ||||||
| ART 330 Collagraph and Etching | 1 | 41457 | 3 | F | 10:00-15:50 | ARTB_100 | Kita,N | 16 | 13 | 3 | 99 | 0 | Texts | ||||||
| ART 333 Printmaking III | 1 | 43793 | 3 | F | 10:00-15:50 | ARTB_100 | Kita,N | 8 | 8 | 0 | 99 | 1 | Texts | ||||||
| ART 337 Darkroom Photo II | 1 | 41209 | 3 | MW | 17:00-19:50 | ARTA_119 | Woody,D | 24 | 15 | 9 | 99 | 0 | Texts | ||||||
| ART 340 Graphic Design | 1 | 41210 | 3 | TR | 11:00-13:50 | ARTA_125 | Nachtigall,S | 24 | 5 | 19 | 99 | 0 | Texts | ||||||
| ART 346 Sculpture II: Variable Topics | 1 | 41211 | 3 | MW | 14:00-16:50 | JH_101 | Schwetman,SP | 24 | 9 | 15 | 99 | 0 | Texts | ||||||
| ART 348 Forming and Forging | 1 | 41351 | 3 | TR | 11:00-13:50 | ARTB_107 | Koch,MY | 18 | 18 | 0 | 0 | 99 | 3 | Texts | |||||
| ART 350 Ceramics II: Wheel Throwing | 1 | 41212 | 3 | TR | 14:00-16:50 | JH_203 | Burnham,AL | 24 | 21 | 3 | 0 | 99 | 9 | Texts | |||||
| ART 351 Ceramics II: Handbuilding | 1 | 41213 | 3 | MW | 11:00-13:50 | JH_201 | 24 | 20 | 4 | 0 | 99 | 0 | Texts | ||||||
| ART 356 Museum & Gallery Practices | 1 | 41214 | 3 | TR | 11:00-13:50 | ARTB_204 | Potter,BN | 24 | 22 | 2 | 0 | 99 | 1 | Texts | |||||
| ART 356M Museum/Gallery Depth | 1 | 41352 | 1 | T | 10:00-10:50 | ARTA_025 | Potter,BN | 15 | 6 | 9 | 99 | 0 | Texts | ||||||
| ART 357B Art Educ Curr Dvlpmnt I | 1 | 41215 | 3 | MW | 11:00-13:50 | ARTA_024 | Woglom,JF | 24 | 11 | 13 | 99 | 0 | Texts | ||||||
| ART 359 Ceramics III | 1 | 41216 | 3 | F | 10:00-15:50 | JH_215 | Burnham,AL | 24 | 8 | 16 | 99 | 0 | Texts | ||||||
| ART 368 Photography II Studio Practice | 1 | 43838 | 3 | MW | 11:00-13:50 | ARTA_125 | Hootnick,AK | 24 | 8 | 16 | 99 | 0 | Texts | ||||||
| ART 372 Intro to Game Art & Design | 1 | 41296 | 3 | MW | 17:00-19:50 | ARTA_125 | Whiteley,M | 24 | 20 | 4 | 99 | 0 | Texts | ||||||
| ART 395 Photo/Print Studio Practice | 1 | 43794 | 3 | TR | 14:00-16:50 | ARTB_100 | Kita,N Smithson,AL | 24 | 19 | 5 | 99 | 0 | Texts | ||||||
| ART 437W Professional Practices in Art | 1 | 41412 | 3 | MW | 17:00-18:20 | TA_011 | Nachtigall,S | 24 | 25 | 0 | 99 | 3 | Texts | ||||||
| ART 480 Exhibition Preparation for 2D | 1 | 44024 | 1 | 09/18 | F | 11:00-13:50 | ARTA_119 | Hill,N | 10 | 1 | 9 | 0 | 99 | 0 | Texts | ||||
| 10/02 | F | 11:00-13:50 | ARTA_119 | Hill,N | 99 | 0 | Texts | ||||||||||||
| 10/16 | F | 11:00-13:50 | ARTA_119 | Hill,N | 99 | 0 | Texts | ||||||||||||
| 10/30 | F | 11:00-13:50 | ARTA_119 | Hill,N | 99 | 0 | Texts | ||||||||||||
| 11/13 | F | 11:00-13:50 | ARTA_119 | Hill,N | 99 | 0 | Texts | ||||||||||||
| ART 491A Teaching Assistant - Studio | 1 | 41285 | 3 | 5 | 0 | 5 | 99 | 0 | Texts | ||||||||||
| ART 491A Teaching Assistant - Studio | 10 | 41523 | 3 | IA | - | ARTB_100 | Kita,N | 5 | 2 | 3 | 99 | 0 | Texts | ||||||
| ART 491A Teaching Assistant - Studio | 11 | 41648 | 3 | IA | - | TBA | Burnham,AL | 5 | 1 | 4 | 99 | 0 | Texts | ||||||
| ART 491A Teaching Assistant - Studio | 12 | 41649 | 3 | IA | - | TBA | Zdrazil,DJ | 5 | 1 | 4 | 99 | 0 | Texts | ||||||
| ART 497S Art Ed Service Learning I | 10 | 41217 | 3 | TR | 11:00-12:50 | ARTA_024 | Woglom,JF | 24 | 15 | 9 | 99 | 0 | Texts | ||||||
|         Tutorial | 11 | 41218 | - | TBA | Woglom,JF | 24 | 15 | 9 | 99 | 0 | Texts | ||||||||
| ART 499 Directed Studies | 1 | 41330 | 1 | IA | 5 | 0 | 5 | 99 | 0 | Texts | |||||||||
| ART 499 Directed Studies | 4 | 41449 | 1 | IA | 5 | 0 | 5 | 99 | 0 | Texts | |||||||||
| ART 499 Directed Studies | 6 | 41515 | 1 | IA | 1 | 0 | 1 | 99 | 0 | Texts | |||||||||
| ART 499 Directed Studies | 7 | 41520 | 1 | IA | 1 | 0 | 1 | 99 | 0 | Texts | |||||||||
| ART 499 Directed Studies | 9 | 41522 | 1 | IA | 1 | 0 | 1 | 99 | 0 | Texts | |||||||||
| ART 499 Directed Studies | 3 | 41331 | 3 | IA | 3 | 0 | 3 | 99 | 0 | Texts | |||||||||
| ART 499 Directed Studies | 5 | 41451 | 3 | IA | 1 | 0 | 1 | 99 | 0 | Texts | |||||||||
| ART 499 Directed Studies | 8 | 41521 | 3 | IA | 1 | 0 | 1 | 99 | 0 | Texts | |||||||||
| ART 499 Directed Studies | 2 | 41333 | 1 | IA | 5 | 0 | 5 | 99 | 0 | Texts | |||||||||
| Class notes
schedFallART report generated: 05-MAY-26 | ||
|---|---|---|
| Class | CN | Class Notes |
| ART 302 Global Africa | 43836 | This course will examine connections between Africa and the rest of the world over time, from the ancient world to the present. We will consider examples of African cultures, traditions, and artists in terms of intersections with other peoples and places in contexts such as migration, trade, politics, and religion. |
| ART 308 Representation in Film Matters | 41467 | Concepts of filmic and media representation will be explored to look at different ways that BIPOC & Queer centered stories and filmmakers have transcended the conventional narrative storytelling structures. |
| ART 321 The Watercolor Sketchbook | 41205 | Follow a series of assignment prompts designed to develop the practice of keeping an artist's sketchbook. Instruction in watercolor, graphite, and ink techniques. |
| ART 324 Drawing III | 41350 | Develop a cohesive series of works on paper informed by individual interests and ideas. Build upon techniques and concepts explored in prerequisite classes. Participate in discussions of works in progress and finished projects. |
| ART 326 Flora/Fauna | 41206 | This course offers further development in a studio practice related to materials, techniques, personal voice, and aesthetics in painting, through a focus on contemporary examples and methodologies for rendering landscapes to create paintings about the wild spaces that surround us here on the North Coast. Other coursework includes learning proper power tool safety to build cradled wood panels and hand-stretched canvases for each painting project. |
| ART 326 Portraiture/Figuration | 41207 | This course offers further development in a studio practice related to materials, techniques, personal voice, and aesthetics in painting, with a focus on portraiture and figuration. Topics include discussions of historical and contemporary strategies in representing the human form and its connection with space, and learning proper power tool safety to build cradled wood panels and hand-stretched canvases for each painting project. |