Spring 2015 classes offered in Theatre Arts
schedarc2152TA report generated: 26-MAY-15 | ||||||||||||
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Class | # | Units | Notes* | Fee | Dates | Days | Time | Room | Instructor | Cap | Enr | Sust* |
TA 104 Story Through Word and Image | 27377 | 4 | IA | TR | 15:00-16:50 | TA_110 | Abbey,SM | 28 | 28 | |||
TA 105 Acting I | 26584 | 3 | IA | T | 09:00-10:50 | GH_002 | Robison,LR | 30 | 28 | |||
        Activity | 26585 | IA | R | 09:00-10:50 | GH_002 | Robison,LR | 30 | 28 | ||||
TA 106 Behind the Scenes in Theatre | 26869 | 3 | IA | T | 17:00-18:50 | SCIB_135 | Lane,DR | 120 | 106 | |||
        Tutorial | 26870 | IA | - | TBA | Lane,DR | 120 | 106 | |||||
TA 108 Movement/Voice for Performers | 26606 | 3 | IA | M | 11:00-12:50 | GH_002 | Swetz,MJ Abbey,SM | 26 | 25 | |||
        Activity | 26607 | IA | W | 11:00-12:50 | GH_002 | Swetz,MJ Abbey,SM | 26 | 25 | ||||
TA 230 Theatre and Film Aesthetics | 26583 | 4 | IA | MW | 15:00-16:50 | TA_017 | McHugh,JP | 30 | 18 | |||
TA 241 Theatre History II | 26604 | 4 | IA | TR | 09:00-10:50 | TA_011 | Swetz,MJ Thomas,MF | 28 | 28 | |||
TA 307 Theatre of the Oppressed | 26610 | 3 | IA | T | 15:00-16:50 | GH_102 | Swetz,MJ Peters,SE | 30 | 27 | |||
        Activity | 26615 | IA | R | 15:00-16:50 | GH_102 | Swetz,MJ Peters,SE | 30 | 27 | ||||
TA 325 Studio Productions | 26576 | 3 | IA | T | 17:00-17:50 | GH_002 | Kelso,MT | 12 | 0 | |||
- | TBA | |||||||||||
TA 326 Performance Practicum | 26728 | 1 | DA | M | 19:00-19:50 | TBA | Kelso,MT | 15 | 3 | |||
TA 326 Performance Practicum | 26729 | 1 | DA | T | 19:00-19:50 | TBA | Kelso,MT | 15 | 2 | |||
TA 326 Performance Practicum | 26730 | 1 | DA | W | 19:00-19:50 | TBA | Kelso,MT | 15 | 0 | |||
TA 326 Performance Practicum | 26927 | 1 | DA | R | 19:00-19:50 | TBA | Kelso,MT | 15 | 0 | |||
TA 327 Pre-Production Practicum | 26744 | 1 | DA | F | 13:00-13:50 | TBA | Kelso,MT | 15 | 6 | |||
TA 327 Pre-Production Practicum | 26745 | 1 | DA | F | 14:00-14:50 | TBA | Kelso,MT | 15 | 3 | |||
TA 327 Pre-Production Practicum | 26746 | 1 | DA | F | 15:00-15:50 | TBA | Kelso,MT | 15 | 0 | |||
TA 327 Pre-Production Practicum | 26828 | 1 | DA | F | 16:00-16:50 | TBA | Kelso,MT | 15 | 0 | |||
TA 328 Production Practicum | 26747 | 1 | DA | F | 13:00-13:50 | TBA | Kelso,MT | 15 | 4 | |||
TA 328 Production Practicum | 26748 | 1 | DA | F | 14:00-14:50 | TBA | Kelso,MT | 15 | 4 | |||
TA 328 Production Practicum | 26749 | 1 | DA | F | 15:00-15:50 | TBA | Kelso,MT | 15 | 2 | |||
TA 328 Production Practicum | 26929 | 1 | DA | F | 16:00-16:50 | TBA | Kelso,MT | 15 | 1 | |||
TA 415 Musical Theatre | 26616 | 4 | IA | MW | 13:00-14:50 | GH_002 | Satlof,LV | 30 | 22 | |||
TA 431 Scene Design Technology | 27378 | 4 | IA | TR | 11:00-12:50 | GH_004 | Lane,DR | 20 | 11 | |||
TA 448 Critical Analysis Stage & Film | 26684 | 4 | IA | MW | 09:00-10:50 | TA_017 | Scheerer,DE | 28 | 22 | |||
TA 480 KCACTF Workshop | 26586 | 1 | below | F | 17:00-17:50 | TA_017 | Robison,LR | 28 | 26 | |||
- | TBA | |||||||||||
TA 480 History of Costume | 26873 | 2 | IA | W | 11:00-12:50 | TA_017 | Robison,LR | 28 | 6 | |||
- | TBA | |||||||||||
TA 480 Architectural History & Period | 27379 | 2 | below | M | 11:00-12:50 | TA_017 | McHugh,JP | 28 | 7 | |||
- | TBA | |||||||||||
TA 499 Directed Study | 26829 | 1 | IA | - | Kelso,MT | 10 | 0 | |||||
TA 499 Directed Study | 27335 | 1 | IA | - | Swetz,MJ | 10 | 0 | |||||
TA 499 Directed Study | 26835 | 3 | IA | - | Kelso,MT | 10 | 1 | |||||
TA 499 Directed Study | 26831 | 3 | IA | - | TBA | Robison,LR | 10 | 1 | ||||
TA 499 Directed Study | 27999 | 4 | IA | - | TBA | Kelso,MT | 10 | 5 | ||||
TA 499 Directed Study | 28000 | 4 | DA | - | TBA | Swetz,MJ | 3 | 1 | ||||
Class notes
schedarc2152TA report generated: 26-MAY-15 | ||
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Class | CN | Class Notes |
TA 480 KCACTF Workshop | 26586 | IA,For students who are selected or intend to present at KCACTF in Spring 2015 |
TA 480 Architectural History & Period | 27379 | IA,We will explore major movements from the foundations of eastern & western civilization in Greece and India, to the postmodern statements of the 1980¿s through: architecture, sculpture, and painting that complemented each major period. Emphasis will be placed on its application to Theatre, Film, and Dance |