| Spring 2019 classes offered in Art
schedarc2192ART report generated: 12-SEP-19 | |||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Class | Sect | # | Units | Notes* | Fee | Dates | Days | Time | Room | Instructor | Cap | Enr | Sust* |
| ART 100 Global Perspectives in Art | 1 | 21900 | 3 | below | R | 15:00-16:20 | NR_224 | Alderson,JL | 45 | 47 | |||
| 1 | - | ONL | |||||||||||
| ART 103A Survey of Art History I | 1 | 26614 | 3 | IA | MWF | 10:00-10:50 | ARTB_102 | Conley,N | 65 | 65 | |||
| ART 103B Survey of Art History II | 1 | 26615 | 3 | IA | MWF | 09:00-09:50 | ARTB_102 | Conley,N | 65 | 33 | |||
| ART 103B Survey of Art History II | 2 | 26616 | 3 | IA | TR | 13:00-14:20 | ARTB_102 | Conley,N | 65 | 41 | |||
| ART 104J Art in the United States | 1 | 21832 | 3 | IA | MWF | 12:00-12:50 | ARTB_102 | Conley,N | 65 | 66 | |||
| ART 104K Africa,Oceania, the Americas | 1 | 22157 | 3 | IA | TR | 15:00-16:20 | ARTB_102 | Sheldon,B | 65 | 41 | |||
| ART 105B Fundamentals of Drawing | 1 | 21103 | 3 | IA | MW | 08:00-10:50 | ARTA_123 | Atherton,MS | 24 | 25 | |||
| ART 105B Fundamentals of Drawing | 2 | 21104 | 3 | IA | TR | 08:00-10:50 | ARTA_123 | Carey,I | 24 | 28 | |||
| ART 105C 2D Foundations | 1 | 21120 | 3 | IA | TR | 17:00-19:50 | ARTB_204 | Nord,JS | 24 | 24 | |||
| ART 105D 3D Foundations | 1 | 22233 | 3 | IA | MW | 11:00-13:50 | ARTB_204 | Nord,JS | 24 | 25 | |||
| ART 105D 3D Foundations | 2 | 22234 | 3 | IA | TR | 14:00-16:50 | ARTB_204 | Nord,JS | 24 | 24 | |||
| ART 106 Painting I | 1 | 21080 | 3 | IA | MW | 11:00-13:50 | ARTB_205 | Carey,I | 24 | 24 | |||
| ART 106 Painting I | 2 | 21081 | 3 | IA | MW | 14:00-16:50 | ARTB_205 | Tuzzi,GR | 24 | 25 | |||
| ART 107 Printmaking I | 1 | 21652 | 3 | IA | TR | 08:00-10:50 | ARTB_100 | Barnett,EA | 24 | 23 | |||
| ART 108 Graphic Design I | 1 | 21083 | 3 | IA | MW | 08:00-10:50 | ARTA_125 | Vaughn,CA | 24 | 26 | |||
| ART 108 Graphic Design I | 2 | 21084 | 3 | IA | MW | 17:00-19:50 | ARTA_125 | Vaughn,CA | 24 | 25 | |||
| ART 109 Sculpture I | 1 | 21085 | 3 | IA | MW | 08:00-10:50 | SCLPT_102 | Schwetman,SP | 24 | 24 | |||
| ART 109 Sculpture I | 2 | 21086 | 3 | IA | TR | 14:00-16:50 | SCLPT_102 | Schwetman,SP | 24 | 24 | |||
| ART 112 Scientific Drawing I | 1 | 21123 | 3 | IA | MW | 14:00-16:50 | ARTA_123 | Gonzalez-Guerra,BE | 24 | 23 | |||
| ART 122 Life Drawing I | 1 | 21101 | 3 | IA | TR | 11:00-13:50 | ARTA_123 | Atherton,MS | 24 | 19 | |||
| ART 250 Darkroom Photography | 1 | 21088 | 3 | IA | TR | 08:00-10:50 | ARTA_119 | Woody,D | 24 | 22 | |||
| ART 251 Photography I | 1 | 21911 | 3 | IA | F | 09:00-14:50 | ARTA_125 | Woody,D | 24 | 21 | |||
| ART 251 Photography I | 2 | 22073 | 3 | IA | TR | 17:00-19:50 | ARTA_125 | Hootnick,AK | 24 | 19 | |||
| ART 282 Jewelry/Small Metals I | 1 | 22274 | 3 | IA | TR | 08:00-10:50 | ARTB_107 | Cobb,EM | 18 | 15 | |||
| ART 282 Jewelry/Small Metals I | 2 | 22275 | 3 | IA | TR | 14:00-16:50 | ARTB_107 | Austin,EA | 18 | 17 | |||
| ART 290 Ceramics I | 1 | 21091 | 3 | IA | MW | 08:00-10:50 | CERAM_101 | Nord,JS | 24 | 23 | |||
| ART 290 Ceramics I | 2 | 21092 | 3 | IA | TR | 11:00-13:50 | CERAM_101 | Hurst,RR | 24 | 25 | |||
| ART 290 Ceramics I | 3 | 21119 | 3 | IA | TR | 14:00-16:50 | CERAM_101 | Hurst,RR | 24 | 21 | |||
| ART 301 Art and Propaganda | 1 | 21093 | 3 | below | TR | 17:00-18:20 | ARTB_102 | Simms,GS | 65 | 61 | |||
| ART 302 Surrealism and Magic Realism | 1 | 22180 | 3 | below | TR | 09:00-10:20 | ARTB_102 | Potter,BN | 65 | 65 | |||
| ART 302 Islamic Art | 2 | 22276 | 3 | below | TR | 11:00-12:20 | ARTB_102 | Madar,HK | 65 | 53 | |||
| ART 302M Topics in Global AH Depth Exp. | 1 | 26624 | 1 | IA | R | 12:30-13:20 | ARTA_025 | Madar,HK | 10 | 7 | |||
| ART 303 Global Contemporary Art | 1 | 21351 | 3 | IA | MW | 14:00-15:20 | ARTB_102 | Alderson,JL | 65 | 55 | |||
| ART 303M Global Contempo. Art Depth Exp | 1 | 22287 | 1 | IA | M | 15:30-16:20 | ARTA_025 | Alderson,JL | 15 | 5 | |||
| ART 321 Comics | 1 | 21102 | 3 | below | MW | 11:00-13:50 | ARTA_123 | Gonzalez-Guerra,BE | 24 | 23 | |||
| ART 325 Life Drawing II | 1 | 21105 | 3 | IA | TR | 14:00-16:50 | ARTA_123 | Atherton,MS | 24 | 11 | |||
| ART 326 Painting II | 1 | 21094 | 3 | IA | TR | 11:00-13:50 | ARTB_205 | Tuzzi,GR | 24 | 25 | |||
| ART 329 Painting III | 1 | 21095 | 3 | IA | TR | 14:00-16:50 | ARTB_205 | Tuzzi,GR | 24 | 21 | |||
| ART 330 Etching | 1 | 21121 | 3 | IA | MW | 14:00-16:50 | ARTB_100 | Barnett,EA | 24 | 12 | |||
| ART 337 Large Format Photography | 1 | 21096 | 3 | below | MW | 11:00-13:50 | ARTA_125 | Hill,N | 24 | 16 | |||
| ART 339 Photography: Portfolio Dev. | 1 | 21352 | 3 | IA | TR | 14:00-16:50 | ARTA_119 | Woody,D | 24 | 14 | |||
| ART 340 Graphic Design II | 1 | 21108 | 3 | IA | TR | 08:00-10:50 | ARTA_125 | Nachtigall,S | 24 | 16 | |||
| ART 347 Sculpture: Portfolio Dev. | 1 | 21653 | 3 | IA | TR | 11:00-13:50 | SCLPT_102 | Schwetman,SP | 24 | 12 | |||
| ART 348 Jewelry/Small Metals: Casting | 1 | 21107 | 3 | IA | MW | 11:00-13:50 | ARTB_107 | Cobb,EM | 18 | 18 | |||
| ART 350 Ceramics: High Fire | 1 | 21100 | 3 | IA | MW | 17:00-19:50 | CERAM_101 | Hurst,RR | 24 | 25 | |||
| ART 351 Ceramics: Low Fire | 1 | 21106 | 3 | IA | MW | 11:00-13:50 | CERAM_101 | Schneider,KG | 24 | 20 | |||
| ART 356 Museum & Gallery Practices | 1 | 21122 | 3 | IA | MW | 08:00-10:50 | ARTB_105 | Carey,I | 24 | 20 | |||
| ART 357C Curr & Dev Thru Art Educ II | 1 | 21672 | 3 | IA | MW | 11:00-13:50 | ARTA_024 | Woglom,JF | 24 | 10 | |||
| ART 358 Art Structure | 1 | 21098 | 3 | IA | MW | 17:00-19:50 | ARTA_024 | Smith,JL | 24 | 26 | |||
| ART 358 Art Structure | 2 | 27004 | 3 | IA | TR | 17:00-19:50 | ARTA_024 | Smith,JL | 24 | 20 | |||
| ART 359 Ceramics: Portfolio Dev | 1 | 21099 | 3 | IA | MW | 14:00-16:50 | CERAM_101 | Schneider,KG | 24 | 22 | |||
| ART 367 Photography II | 1 | 21912 | 3 | IA | MW | 14:00-16:50 | ARTA_125 | Hill,N | 24 | 11 | |||
| ART 372 4D Video + Animation | 1 | 21798 | 3 | below | TR | 11:00-13:50 | ARTA_125 | Nachtigall,S | 24 | 21 | |||
| ART 373 Illustration II | 1 | 22161 | 3 | IA | TR | 14:00-16:50 | ARTA_125 | Gonzalez-Guerra,BE | 24 | 15 | |||
| ART 396B Body Casting | 1 | 21654 | 1 | IA | 04/12-04/13 | FS | 09:00-16:30 | SCLPT_102 | Schwetman,SP | 15 | 7 | ||
| ART 437 Professional Practices in Art | 1 | 21908 | 3 | IA | MW | 17:00-18:20 | ARTB_102 | Hill,N | 25 | 31 | |||
| ART 482 Museum & Gllry Prctcs Intrnshp | 1 | 21111 | 3 | IA | F | 12:00-17:50 | OC | Potter,BN | 24 | 14 | |||
| ART 491A Teaching Assistant - Studio | 1 | 22377 | 3 | IA | - | TBA | 1 | 0 | |||||
| ART 491C Teaching Assist/ Art Education | 1 | 22393 | 3 | IA | - | TBA | 1 | 0 | |||||
| ART 496 Honors Ceramics | 1 | 21115 | 3 | IA | F | 09:30-12:20 | CERAM_101 | Schneider,KG | 24 | 6 | |||
| ART 496 Honors Painting | 2 | 21116 | 3 | IA | T | 17:00-19:50 | ARTB_205 | Tuzzi,GR | 24 | 16 | |||
| ART 496 Honors Small Metals | 4 | 21383 | 3 | IA | F | 17:00-19:50 | ARTB_107 | Cobb,EM | 18 | 4 | |||
| ART 498S Service Learning and Art Ed II | 10 | 21910 | 3 | IA | TR | 11:00-12:50 | ARTA_024 | Woglom,JF | 24 | 18 | |||
| Tutorial | 11 | 21972 | IA | - | TBA | Woglom,JF | 24 | 18 | |||||
| ART 499 Directed Studies | 00 | 1-6 | IA | - | 1 | 0 | |||||||
| Class notes
schedarc2192ART report generated: 12-SEP-19 | ||
|---|---|---|
| Class | CN | Class Notes |
| ART 100 Global Perspectives in Art | 21900 | IA,DA, 25 seats are for the Global Humboldt student cohort |
| ART 301 Art and Propaganda | 21093 | IA,Art and Propaganda: persuasion through art, design, film and photography The American government and its foreign counterparts sought effective channels of communication with the public during the two World Wars as well as during the Cold War. The most important were the US as well as Germany and the Soviet Union but other European countries as well as Japan were also relevant proponents. We will take an in-depth look at how countries and governments utilize art to sway the public. This course will examine how subtle or crass this form of persuasion can be and why it can be so effective. |
| ART 302 Surrealism and Magic Realism | 22180 | IA,Between Dreams and Reality: Surrealism and Magic Realism in the Americas With the onset of World War II and escalating persecution of ¿degenerate art,¿ a mass migration of avant-garde artists fled Nazi-occupied Europe, contributing to unprecedented artistic exchange in their locations of exile. In this course we will examine the passage of Surrealist artists and intellectuals away from Europe, and explore the precedents and subsequent developments of Surrealism in cities such as Havana, Los Angeles, Port-au-Prince, Mexico City, New York, San Francisco, and São Paulo. While many artists in |
| the Americas were deeply influenced by Surrealist methods, some, like Frida Kahlo, rejected association with the movement. As Kahlo famously stated, ¿I never paint by dreams or nightmares. I paint my reality.¿ Helen Lundeberg and Manuel Álvarez Bravo also explored absurd, magical, and mysterious aspects of everyday life through painting and photography. Even Wolfgang Paalen, an influential Surrealist in Paris, rejected Surrealism after relocating to Mexico City, and formed a new movement called Dynaton, which sought to express universal subject matter through explorations with science and visu | ||
| al abstraction. | ||
| ART 302 Islamic Art | 22276 | IA,Islamic Art This course will provide a thematic and chronological survey of Islamic art from its origins to the present day focusing on architecture, book arts, miniature painting, ceramics and textiles. |
| ART 321 Comics | 21102 | IA,Students will learn the fundamentals of creating sequential art, will explore historical and contemporary comics, and will be taught how to use pen and ink, watercolor, and traditional drafting tools. Students will create a series of comics based on their own ideas. |
| ART 337 Large Format Photography | 21096 | IA,Making use of both darkroom and digital techniques, this course will cover the use of 4x5 large format cameras to create b&w and color photos. Sheet film development, scanning, silver gelatin darkroom techniques, large scale inkjet printing, and visual storytelling will be explored. Prerequisite: ART 250 or 251 recommended, or IA |
| ART 372 4D Video + Animation | 21798 | IA,This class explores time as a medium in contemporary art through video and animation. This course investigates ways that time-based image making has become a key mode of communication for artists and designers. |